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CHRISTIAN LIFE SDA HYMNAL (1985)

SDAH 509: How Firm a Foundation

CHRISTIAN LIFE >> FAITH & TRUST

SDAH 509

How firm a foundation, ye saints of the Lord,
is laid for your faith in his excellent word!
What more can he say than to you he hath said,
to you who for refuge to Jesus have fled?

Text
Text

1
How firm a foundation, ye saints of the Lord,
is laid for your faith in His excellent word!
What more can He say than to you He hath said,
to you who for refuge to Jesus have fled?

2
“Fear not, I am with thee, O be not dismayed,
for I am thy God and will still give thee aid;
I’ll strengthen and help thee, and cause thee to stand
upheld by My righteous, omnipotent hand.”

3
“When through deep waters I call thee to go,
the rivers of woe shall not thee overflow;
for I will be with thee, thy troubles to bless,
and sanctify to thee thy deepest distress.”

4
“When through fiery trials thy pathways shall lie,
My grace, all-sufficient, shall be thy supply;
the flame shall not hurt thee; I only design
thy dross to consume, and thy gold to refine.”

5
“The soul that on Jesus hath leaned for repose,
I will not, I will not depart to His foes;
That soul, though all hell should endeavor to shake,
I’ll never, no never, no never forsake!”

Hymn Info
Hymn Info


(a) Heb 6:18 (b) Isa 41:10 (c) Isa 43:2 (d) Isa 43:2 (e) Heb 13:5

Text Source
Rippon’s A Selection of Hymns, 1787

Performance Suggestions
Unison

Copyright
Arrangement copyright 1984 by Melvin West

Hymn Tune
FOUNDATION

Metrical Number
11.11.11.11.

Arranged
Melvin West, 1984 (1930-)

Tune Source
Funk’s…Genuine Church Music, 1832

Get the hymn sheet in other keys here

A Hymn of Sure Promises

This hymn in enshrouded in mystery, in that both the text author and tune composer are unknown. We can only trace the text back to its first publication in 1787, in a hymnal called A Selection of Hymns from the best authors, intended as an appendix to Dr Watts’s Psalms and Hymns. Put together by John Rippon who is a Baptist pastor, this hymnal was an important contribution to hymnody, and became the most popular Baptist hymnbook in England and North America for many years.

RELATED POSTS

Playlist

Choose from our curated list of arrangements based on this hymn. Should you choose to purchase using the links below, we will receive a small commission which helps offset our website fees!

RECOMMENDED ARRANGEMENTS

Listen to the Youtube playlist above to have an idea what the arrangements below sound like.

How Firm a Foundation (COURTNEY)

SATB + piano

Syncopated rhythms combine with smooth melodic lines in Craig Courtney’s energetic re-telling of the traditional American folk hymn for choir and piano. The final stanza’s slow crescendo leads to a final statement of assurance and conviction.

HOW FIRM A FOUNDATION (FORREST)

SATB + piano

How Firm A Foundation was first published in America with this tune in the 1830s, and was one of the most commonly sung hymns of the Civil War era. The countless soldiers, fighting on both sides of the Civil War, who would have known this popular hymn and clung to its promises on the battlefield is what inspired this setting and therefore uses a musical style which evokes the 19th century American folk hymn tradition. SSAA version here. TTBB version here.

HOW FIRM A FOUNDATION (TRAVIS & HARLAN)

SATB + 4-hands piano

Al Travis and Benjamin Harlan have teamed to bring us this glorious setting of How Firm a Foundation for choir and four-hand piano. The sturdy hymn tune opens with choir in unison, leading to four-part harmony on the chorus. Everyone takes a turn, as verse two opens with women’s voices and verse three with men’s.

HOW FIRM A FOUNDATION (PORTMAN)

vocal + piano

A Christian’s stability in this life, as well as his confidence for eternity rests solely on the written promises of God’s Word. The direction of the living God for our lives is very definite. It is found in a firm foundation — the written revelation: “Thus saith the Lord.” A powerful, vigorous setting of an early American hymn that shows off the technical mastery of the pianist and the agility of the singer.

REFLECTIONS (TURNER)

piano

Arranger John Turner provides the ideal resource for the quiet moments in a worship service: sensitive hymn arrangements and original musical meditations with a gentle and prayerful spirit.

A JOURNEY OF FAITH (LARSON)

piano

Lloyd Larson explores the hardships, joys, and ultimate triumph of our earthly journey in this heartfelt collection. You’ll enjoy these delightful arrangements of a wide variety of hymns, and the arranger’s instinctive pianism is on display in every measure. Lloyd brings his customary skill, imagination, and emotional depth to each arrangement, and they are all sure to bring your listeners into a deeper sense of worship. Digital copy here.

WORSHIP THE KING (CAMPBELL & COLEMAN)

violin + piano

Following the success of their initial publication “Praise…With Stringed Instruments”, this mother-daughter writing team has provided a second collection of inspiring hymn arrangements for solo violin and piano. Designed as a resource for less-experienced violinists, this volume is an ideal tool for encouraging budding soloists to share their gifts in the affirming environment of the local church. These selections are also worthy of concert or recital consideration.

HOW FIRM A FOUNDATION (ANDERSON)

violin + piano

Violin solo with piano accompaniment, arranged for early-advanced violin with some double stops and occasional shift into 3rd position.

Notes

Get to know the hymns a little deeper with the SDA Hymnal Companion. Use our song leader’s notes to engage your congregation in singing with understanding. Even better, involve kids in learning this hymn with our homeschooling materials.

This hymn first appeared in John Rippon’s (1751-1836) A Selection of Hymns from the Best Authors, 1787, in seven stanzas, under the title “Exceeding Great and Precious Promises.” The title is taken from 2 Peter 1:4: “Whereby are given unto us exceeding great and precious promises.” The Hymn is initialed ‘K’ which is an1822 Collection of Hymns, is credited to ‘Kn’ and is an 1835 edition as “Keen,” a gentleman about whom nothing further is known. There was an R. Keene, who was precentor of Rippon’s Baptist Church in New Park Street, London. He composed the tune GEARD, which was the first setting to the words.

John Rippon was born on April 29, 1751, at Tiverton, Devonshire, England. He trained for the ministry at the Baptist College in Bristol and in 1773 was appointed to be the temporary pastor of the Baptist Church in Carter Lane, Tooley Street, London. The appointment however proved to be permanent, for he continued with the church as it moved to New Park Street, for a period of 63 years until his death in London on December 17, 1836. 

 He published, in addition to the book above mentioned, A Selection of Psalm and Hymn Tunes from the Best Authors, 1791, a popular work that went into 27 editions. He was considered to be an authority on Isaac Watts and wrote some of the hymns in his Selection, although not specifying which were of his composition. He also altered the text of some of the hymns—for example, SDAH 229, “All Hail the Power of Jesus’ Name”—and made additions to others. The Baptist College of Providence, Rhode Island, honored him in 1792 with the degree of Doctor of Divinity.

FOUNDATION is here called PROTECTION, taken from M. L. Swan’s New Harp of Columbia, 1867.

FOUNDATION is an early American hymn melody in the pentatonic scale, found in Joseph Funk’s A Compilation of Genuine Church Music, 1832, and in The Sacred Harp, 1844, where it is credited to Z. chambers. It has been known as BELLEVUE, CONVENTION, and PROTECTION. Its present name shoes its association with the words “How Firm a Foundation.” Funk was born on April 6, 1778, in westernPennsylvania. He moved with his patents two years later to the Shenandoah Valley, near Harrisonburg, Virginia. He learned and taught music and conducted singing schools in Virginia, and started a monthly journal for rural music and singing schools. He also translated two Mennonite publications. Funk died in 1862. The tune was arranged for SDAH by Melvin West (1930-     ; see Biographies) in 1984.

How wonderful to have a God whose promises will never be broken. How true it is, that we can rest on His Word and trust that He will never forsake us nor cause us to be shaken. How firm a foundation we have in Him whose Word is true and will always be true forever. (Lesson 12, 2nd Quarter 2021 -Thursday, Resting on the Promises, 6/17/2021)

Tracing Worksheets

Free tracing worksheet available for writing beginners. You will receive one sheet each for block letters and cursive letters.

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