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EARLY ADVENT SDA HYMNAL (1985)

SDAH 449: Never Part Again

EARLY ADVENT

SDAH 449

There is a land of pure delight,
Where bliss eternal reigns,
Infinite day excludes the night
And pleasures banish pain.

Get the hymn sheet in other keys here

For Worship Leaders

Hymn Spotlight: Never Part Again

Isaac Watts penned this hymn in 1707 as “A Prospect of Heaven Makes Death Easy,” using the Jordan River as a symbol of life’s final passage. The later camp meeting refrain, “What! Never part again?” added in the mid-1800s, helped make it one of the most enduring and beloved Adventist songs—sung at camp meetings, General Conference sessions, and countless farewells. The arrangement by Donald Frederick Haynes preserves the vigor and joy that generations have treasured in proclaiming that in the heavenly Canaan, partings will be no more.

📖 Reference: Feel free to share but please cite hymnsforworship.org when reproducing.

Introductions for Sabbath School Song Service (based on specific lesson quarterlies):

This hymn, first published in Isaac Watts’s (1674-1748; see Biographies), Hymns and Spiritual Songs, 1707, carried the heading “A Prospect of Heaven Makes Death Easy.” It is one of his earliest compositions, and in varied forms has found its way into hundreds of hymnbooks around the world. He was sitting at his window in Southampton in 1706, gazing across Southampton Water toward Netley on the opposite shore. The pleasant meadows that lay before him suggested the beauties of the heavenly land, and inspired him to write the six stanzas of this hymn, which uses the figure of the Jordan River as a symbol of death. That river must be crossed to reach the Promised Land.

The catchy, singable refrain was added much later, and undoubtedly accounts for the great popularity of this hymn. The “What! Never part again?” refrain first appeared in Musical Gems: A Collection of Hymns and Tunes Adapted to All Occasions of Social Devotion, 1849 (the same year James White published his first little hymnbook). Ellen Jane Lorenz, in Glory, Hallelujah! The Story of the Campmeeting Spiritual, tells of finding the refrain of this camp meeting song in 20 different books from 1846 to a twentieth- Salvation Army songbook, with a variety of “mother” hymns. It was sung at the popular farewell services. This practice has continued to this day in Seventh-day Adventist camp meetings and at General Conference sessions. At the 1985 General Conference session in New Orleans, it was sung with a 250-voice choir, 125-piece orchestra, and about 40,000 people participating!

Donald Frederick Haynes, the arranger, used as a basis the version found in Timbrel of Zion, 1853 (see reproduction on page 446). In this case, the “mother” hymn is “Jerusalem, My Happy Home” (SDAH 420). Haynes was born April 2, 1907, in Camden, New Jersey. His father was Carlyle B. Haynes, well known as a writer and for his work in large evangelistic campaigns and pastoral and administrative assignments in North and South America. So Donald grew up closely involved with the work of the Seventh-day Adventist Church. He was educated at Greater New York Academy and Atlantic Union College, and graduated from the Theological Seminary and also from the George Peabody College for Teachers. His versatility and creativity resulted in many lines of service to the church he loved: pastor in many areas of the United States; youth work in Battle Creek; directing large choral groups; assisting with music in evangelistic meetings with John Shuler and Robert Boothby; and Bible school manager of the Bible Auditorium of the Air, New York (later to become the television ministry Faith for Today). As a result of a tragic leg amputation and later a stroke, his final years in Glendale, California, were spent as an invalid, much of the time in great pain. He died August 5, 1975.

His life was filled with music, for he was a gifted singer, composer, organist, and violinist. A number of his 200 compositions were published by G. Schirmer. He loved male-voice singing, and arranged hundreds of hymns for men’s groups. A letter from his daughter, Dona Schultz, of Glendale, California, shares this memory: “When I was only 2 years old [about 1935 or 1936], Dad and Granddad traveled to San Francisco for a General Confer- ence gathering and they sang [this hymn] antiphonally from respective balconies. One would sing, ‘What! Never part again?’ then the other would respond, ‘No, never part again.’ I have heard generations of people tell me how that was the highlight of their experience at camp meeting and/or General Conference. It seems to be one of the old legendary favorites that has weathered time.”

📖 Reference: Companion to the Seventh-day Adventist Hymnal by Wayne Hooper and Edward E. White. Review and Herald Publishing Association, 1988.

Stanza:

1 – Revelation 22:5

3 – Deuteronomy 3:27

R – Revelation 20:4

Text
Text

1
There is a land of pure delight,
Where bliss eternal reigns,
Infinite day excludes the night
And pleasures banish pain.

Refrain
We’re trav’ling to Immanuel’s land,
We soon shall hear the trumpet sound,
And soon we shall with Jesus reign,
And never, never part again.
What! Never part again? No, never part again,
What! Never part again? No, never part again,
And soon we shall with Jesus reign,
And never, never part again.

2
There everlasting spring abides,
And never with’ring flowers,
And but a little space divides
This heav’nly land from ours.

3
Could we but stand where Moses stood,
And view the landscape o’er,
Not all this world’s pretended good
Could ever charm us more.

Hymn Info
Hymn Info


Biblical Reference
(a) Rev 22:5 (c) Deut 3:27 (r) Rev 20:4

Author
Isaac Watts (1674-1748)

Year Published
1707

Copyright
Arrangement used by permission of Dona Haynes Schultz

Metrical Number
C.M.Ref.

Arranged
Donald F. Haynes

Tune Source
from Timbrel of Zion, 1853

For Music Ministers

Jerusalem, My Happy Home, arranged by Mark Shepperd: This traditional American melody with 16th century text has been delightfully arranged for SATB choir and piano. Perfect for use during time of introspection and contemplation.

SATB choir (SATB). Sacred octavos. Capital University Choral Series. Sacred. Octavo. Beckenhorst Press #BP2042. Published by Beckenhorst Press (BP.BP2042). UPC: 748769020425. 6.75 x 10.25 inches. SKU: BP.BP2042

Jerusalem, My Happy Home, arranged by Richard Proulx: Scored for men’s voices (AATB) in 1971, this SATB designation for mixed voices loses none of the effectiveness of the original arrangement. “Jerusalem, My Happy Home” may be thought of as a partner piece to Proulx’s “Amazing Grace” from 1973 (G-6389), to which he later added a flute part. Both of these American folk hymn settings are characterized by canonic treatment of the melody and parallel open intervals in the men’s voices.

SATB choir, piano reduction – Early intermediate.  Proulx Legacy Series. Tune Name: Land Of Rest. Sacred. Octavo. 8 pages. GIA Publications #G-9053. Published by GIA Publications (GI.G-9053). UPC: 785147905301. 6.75 x 10.25 inches. English. Text Source: F. B. P., 16th c. manuscript., alt. SKU: GI.G-9053

Jerusalem, My Happy Home, arranged by Alice Parker: Choral (SATB) SKU: HL.8765184 Hinshaw Sacred. Octavo. Hal Leonard #HMC595. Published by Hal Leonard (HL.8765184). UPC: 728215004414. 6.75 x 10.25 inches.

Jerusalem, My Happy Home, arranged by James Hopkins: SATB choir, organ. SKU: EC.4942Composed by James F. Hopkins. 21st Century. Octavo. E.C. Schirmer Publishing #4942. Published by E.C. Schirmer Publishing (EC.4942). ISBN 600313449420. UPC: 600313449420. 6.75 x 10.25 inches. Text: F.B.P., 16th-Century.

Songs of Heaven (A collection of 5 hymns and spirituals for String Quartet) by Sharon Wilson String Quartet: These arrangements are straight-forward and suitable for late beginner to intermediate string groups since all notes for all instruments can be played in the first position. An optional repeat is provided for each song in case a longer selection is desired.

String Quartet Cello,String Quartet,Viola,Violin – Level 2 – Digital Download. Christian, Folk, Sacred, Spiritual, Traditional. 44 pages. Sharon Wilson #1025815. Published by Sharon Wilson (A0.1445994). SKU: A0.1445994

Jerusalem My Happy Home (3-5 octaves) by Cathy Moklebust: Based on the early American tune “Land of Rest”, this lively and varied arrangement features themes of joy and happiness that are obvious in the introduction and first stanza, with the use of dancing, staccato rhythms. The second stanza is more flowing in style, and the third features a four-part round with flute, cello, optional handchimes, and the singing bell technique. The final stanza is full and glorious and includes a soaring flute descant. Voicing: 3, 4, 5 octaves handbells with optional 3 octaves handchimes, flute, violincello, and percussion.

Handbells – intermediate. SKU: CG.CGB632I Come with Joy to Meet My Lord. Composed by Early American Melody. Arranged by Cathy Moklebust. General, Holy Communion. With 3 octaves handchimes, Flute, Cello, Percussion. General, Holy Communion, Sacred. Handbell Score. 12 pages. Chorister’s Guild #CGB632. Published by Chorister’s Guild (CG.CGB632). UPC: 749193014813. 8.5 x 11 inches.

Jerusalem, My Happy Home by Wilbur Held: Five well-known hymns are set here in simple, pleasing style. The keyboard part works comfortably on either piano or organ, and the cello part will transfer easily, with a few adjustments, to other bass instruments. 

Cello and keyboard – Medium – Digital Download. SKU: MQ.20-980-2E Composed by Wilbur Held. All Saints/All Souls. Score. 4 pages. MorningStar Music Publishers – Digital Sheet Music #20-980-2E. Published by MorningStar Music Publishers – Digital Sheet Music (MQ.20-980-2E).

Three Folk Hymns for Winds for Two Flutes, Oboe and Clarinet by Donna Robertson. Innovative arrangements of three familiar folk hymns, perfect for both sacred and secular settings. Instrumentation: 2 Flutes, Oboe, Clarinet.

Chamber Music. SKU: AY.CM109Arranged by Donna N. Robertson. Ensembles – Chamber Music. Score and parts. Alry Publications #CM109. Published by Alry Publications (AY.CM109). ISBN 9790302105312. 9 x 12 inches.

Transformations by Howard Helvey. 10 eloquent new arrangements for piano solo based on beloved hymn tunes: How Can I Keep From Singing? (ENDLESS SONG); Jerusalem, My Happy Home (LAND OF REST); Holy, Holy, Holy (NICAEA); Take Up Thy Cross, the Savior Said (BOURBON); Jesus, Thy Blood and Righteousness (GERMANY); Christians, We Have Met to Worship (HOLY MANNA); How Great Thou Art (HOW GREAT THOU ART); Come, Ye Sinners, Poor and Needy (RESTORATION); Come Down, O Love Divine (DOWN AMPNEY); The Day Thou Gavest, Lord, Is Ended (ST. CLEMENT). Difficulty level: Early Advanced.

Piano. SKU: BP.PC25Composed by Howard Helvey. Arranged by Howard Helvey. Piano collections. Collection. Beckenhorst Press #PC25. Published by Beckenhorst Press (BP.PC25). 9 x 12 inches.

Jerusalem, My Happy Home by Amanda Tero. An advanced hymn arrangement for the classically-trained pianist. This old melody is delightful and almost like a movie soundtrack. Nestled in moving sixteenth notes with a sprinkling of left hand melody. 4 pages. Keys of F and G. This is part of the Surrender collection—seven arrangements for advanced pianists. Full album also available on most streaming platforms.

Piano Solo – Level 4 – Digital Download. SKU: A0.1083918Composed by American Folk Hymn. Arranged by Amanda Tero. Praise & Worship,Sacred,Traditional. Score. 5 pages. Amanda Tero #688123. Published by Amanda Tero (A0.1083918).

American Folk Hymns for Piano, 8 Early Advanced to Advanced Arrangements by Anna Laura Page: These 8 folk hymns were adopted as American more than a century ago. Titles: Amazing Grace * I Am Bound for the Promised Land * I Know that My Redeemer Lives * Jerusalem, My Happy Home * My Shepherd Will Supply My Need * ‘Tis a Gift to Be Simple * When I Can Read My Title Clear * Wherever I May Wander.

Piano – Advanced; Early Advanced. SKU: AP.188898 Early Advanced to Advanced Arrangements. Composed by Anna Laura Page. Piano Collection; Piano Supplemental. Folk; Hymn; Sacred. Book. 36 pages. Alfred Music #00-18889. Published by Alfred Music (AP.18889). UPC: 038081171661. 9 x 12 inches. English.

Chords from Ultimate Guitar website (Some of the words may be different from the SDA Hymnal)

Miller gained a huge following which came to be called, the ‘Millerites.’ Great Tent meetings were set up, and the progressing movement saw the need to provide new hymns. Sure, they had songs that they were singing from the churches they belonged to, but none that supported the distinct messages that was being preached such as the judgment, second advent, reward of the saints and the midnight cry. As a result, hymns were compiled and the first Millerite hymnal was born. 

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