These words are from a poem by George Herbert (1593-1633; see SDAH 9), which was not intended as a hymn. It was first published under the title “The Call” in posthumous collection of his writings, The Temple, 1633 (see SDAH 243). It was included in the British hymnal Songs of Praise, Oxford,1925 and chosen by Ralph Vaughan Williams for one of his Mystical Songs. The first section of this solo song, although not very easy for congregational singing, has been used with this text in a number of hymnals.

        Vaughan Williams’ characterization of “mystical” should not keep us from enjoying this well -constructed poem, which is mostly monosyllabic and aptly describesour relationship with Christ with nine words: Way, Truth, Life, Light, Feast, Strength, Joy, Love, and Heart.                    

     Erik Routley, in Companion to Westminster Praise, has suggested that the second stanza line “Such a Feast, as mends in length” means Such a Feast as gets better and better as it goes on,” and “such a strength, as makes His guest “means” Such a Strength as communicates itself to His guest.” Most hymnologists agree that the best hymns do not need explanation. But once in a while it is good for us to look closely at a line of poetry, think about what the poet had in mind, and in this way find a new meaning and application to our present life. Herbert also wrote SDAH 9, “Let All the World in Every Corner Sing,” and SDAH 243, “King of Glory, King of Peace.”

     Alexander Brent-Smith was born October 8, 1889, at Brookthorpe, near Gloucester, England. After a time as an assistant at Worcester Cathedral, he went in 1913 to Lancing College as a director of music (following William H. Ferguson; see SDAH 360), staying until 1934. From then until his death July 3, 1950, at the age 60, he devoted his time to writing, speaking, music composition, and the activities of the Gloucester Music Club. He was an expert on the symphonies and chamber music of Schubert, and wrote articles for The Musical Times. His compositions include Ode to the Nativity, Paradise Songs, Concertos for two violins and two pianos, and an Elegy composed for the Three Choirs Festival of 1939. (because that event was canceled, it was not performed until 1946.) Four of his hymn tunes can be found in current hymnals: COTSWOLD; ANTIPHON; LANCING, and COME, MY WAY, also known as THE CALL.