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SDA HYMNAL (1985) WORSHIP

SDAH 034: Wake the Song

WORSHIP >> Adoration & Praise

SDAH 34

Wake the song of joy and gladness;
Hither bring your noblest lays;
Banish every thought of sadness,
Pouring forth your highest praise.

Text
Text

1
Wake the song of joy and gladness;
Hither bring your noblest lays;
Banish every thought of sadness,
Pouring forth your highest praise.
Sing to Him whose care has brought us
Once again with friends to meet,
And whose loving voice has taught us
Of the way to Jesus’ feet.

Refrain
Wake the song, wake the song,
The song of joy and gladness,
Wake the song, wake the song,
The song of Jubilee.

2
Joyfully with songs and banners,
We will greet the festal day;
Shout aloud our glad hosannas,
And our grateful homage pay.
We will chant our Savior’s glory
while our thoughts we raise above,
Telling still the old, old, story,
Precious theme- redeeming love!

3
Thanks to Thee, O holy Father,
For the mercies of the year;
May each heart, as here we gather,
Swell with gratitude sincere,
Thanks to Thee, O loving Savior,
For redemption through Thy blood.
Breathe upon us, Holy Spirit,
Sweetly draw us near to God.

Hymn Info
Hymn Info


Biblical Reference
(a) Isa 51:3 (b) John 12: 12, 13 (c) 1 Pet 1:18, 19, John 20:22

Author
W.F. Sherwin (1826-1888)

Metrical Number
8.7.8.7.D. Ref.

Composer
W.F. Sherwin

Theme
ADORATION AND PRAISE

Hymn Score

Piano Accompaniment


Notes

Get to know the hymns a little deeper with the SDA Hymnal Companion. Use our song leader’s notes to engage your congregation in singing with understanding. Even better, involve kids in learning this hymn with our homeschooling materials.

This hymn, both words and music, was written by William Fisk Sherwin, (1826-1888; see Biographies) as a temperance song. Hence the reference in the second stanza to “banners” and “the feast day.” Note the reference in the stanza to the Trinity: “holy Father,” “loving Savior,” and “Holy Spirit.”                      

The tune, appropriately named ANNIVERSARY SONG, has a joyful rhythm as each of its eight lines begins with dotted eight and sixteenth notes. This motif is seen also in the refrain.  

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