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JESUS CHRIST SDA HYMNAL (1985)

SDAH 211: Lo! He Comes

JESUS CHRIST >> SECOND ADVENT

SDAH 211

Lo! He comes, with clouds descending,
Once for favored sinners slain;
Countless angels, Him attending,
Swell the triumph of His train:

Text
Text

1
Lo! He comes, with clouds descending,
Once for favored sinners slain;
Countless angels, Him attending,
Swell the triumph of His train:
Hallelujah! Hallelujah!
Jesus comes, and comes to reign.

2
Every eye shall now behold Him
Robed in dreadful majesty!
Those who set at nought and sold Him,
Pierced, and nailed Him to the tree,
Deeply wailing, Deeply wailing,
Shall the true Messiah see!

3
When the solemn trump has sounded,
Heaven and earth shall flee away;
All who hate Him, must, confounded,
Hear the summons of that day-
“Come to judgment! Come to judgment!
Come to judgment! Come away!”

4
Yea, amen! let all adore Thee,
High on Thy eternal throne!
Savior, take the power and glory,
Make Thy righteous sentence known;
O come quickly, O come quickly,
Claim the kingdom for Thine own!

Hymn Info
Hymn Info


Biblical Reference
(a) Rev 1:7; Matt 16:27 (b) Rev 1:7 (c) 1 Thess 4:16; Rev 20:11 (d) Rev 22:12

Author
John Cennick (1718-1755); Charles Wesley (1707-1788)

Altered
Martin Madan, 1760 (1726-1790)

Year Published
1752 / 1758

Hymn Tune
HOLYWOOD

Metrical Number
8.7.8.7.8.7.

Tune Source
J.F. Wade’s Cantus Diversi, 1751

Alternate Tune
BRYN CALFARIA SDAH 165

Theme
SECOND ADVENT

Hymn Score

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Piano Accompaniment

[wonderplugin_audio id=”211″]

Recommended Reading

This hymn was really interesting to write about in that its words spanned nine years of revision by three (maybe four) different ministers who are all connected to each other. The general happenstance was this though — that after a conversion experience, this hymn was borne.

Interestingly, the first one who originated this hymn was converted upon hearing John Wesley’s sermon. The Wesleys themselves revised the hymn, then another minister who was also converted by Wesley’s messages, revised what Wesley had already written about this hymn!

The tune almost have the same story to tell. But I will not get ahead of myself. Continue reading.

Charles was the other Wesley. Alongside his brother John who was considered the main guy behind the founding of Methodism, it was Charles’ hymns that pushed through the envelope of being “just another religion.” His lasting and well-known hymns have captivated Christians all around the world. Through his poetic lines, we are able to sing many hymns with such deep theology.

It was said that he wrote 8,989 hymns. That’s 10 lines of poetry every single day for 50 years. And we are privileged to have sung some of those hymns. Tell me, don’t these hymns ring a bell for you?

Notes

The Son of man regains what Adam lost. It also suggests that He shares common ground with humanity. The title Son of man points to His bond with humankind. From the broad context of the Scriptures, we can infer that the Son of man not only represents His people in the heavenly tribunal, but He also can identify with them because He partakes of their human nature (Heb. 2:14, Heb. 4:15). We also should note that the Son of man of Daniel 7 must be identified with the Prince of the Host (Dan. 8:11), the “man clothed in linen” (Dan. 10:5), and Michael (Dan. 10:13, Dan. 12:1). To conclude, the Son of man of Daniel 7 is clearly the Messiah Jesus Christ, who comes to the presence of God the Father as a representative of the saints (1 John 2:1) on the antitypical day of atonement. (Lesson 8, 1st Quarter 2020 – Wednesday, The Coming of the Son of Man, 2/19/2020)

In 1750 John Cennick wrote a hymn beginning “Lo! He cometh, countless trumpets blow His bloody sign!” which was first published in his Collection of Sacred Hymns, 1752. It was in six stanzas and was used as a basis for the present hymn, most of which was written by Charles Wesley (1707-1788; see Biographies), and published in four stanzas in his Hymns of Intercession for All Mankind, 1758. Martin Madan used both Cennick’s and Wesley’s hymn and with some alterations produced a hymn of six stanzas that appeared in his Collection of Psalms and Hymns, 1760. Wesley’s first two stanzas are only slightly changed, but his third stanza is completely omitted.

SDAH’s third stanza has been altered again from Madan’s version, which had as its first line, “Ev’ry Island, sea, and mountain,” and as its fourth, “Hear the trump proclaim the day.”

John Cennick was born in Reading, Berkshire, England, on December 12, 1718. Of Quaker descent, he was brought up in the Church of England. He was a land surveyor, but after becoming acquainted with the Wesley brothers in 1739 he was appointed as a teacher in a school for the children of mine workers in Kingwood, Bristol, in 1740. He became a lay preacher but dissociated with Wesley very soon on doctrinal issues and joined George Whitefield until 1745. Then he joined the Moravian Church and was ordained as a deacon, working in Germany and in Northern Ireland. He published four volumes of hymns and two volumes of sermons. He died in London on July 4, 1755.

Martin Madan was born in 1726 at Hertingfordbury, near Hertford, in the county of the same name, in England. He trained for legal profession but underwent a through conversion and change of aim after hearing John Wesley preach on the text “Prepare to meet thy God.” He was ordained and became a popular preacher, and founded and became chaplain of the Lock Hospital, Hyde Park Corner, London. However, he gave up preaching after the publication of his book, which advocated polygamy. He published A Commentary on the Articles of the Church of England, other theological articles, and his Collection of Psalms and Hymns, which, although unsystematic, had a great influence on the hymnody of the Anglican Church. He died at Epsom Surrey, on May 2, 1790.

HOLYWOOD occurs in a compilation dated 1751, entitled Cantus Diversi (various songs), by John Francis Wade (c. 1711-1786; see SDAH 132). The tune ADESTE FIDELES, SDA 132, was also in this collection.

-from Companion to the Seventh-day Adventist Hymnal by Wayne Hooper and Edward E. White

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